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Beyond that, you get limited to a 96 kHz sample rate, which isn't a big deal since audio CD's limit you to 44.1 kHz anyways. That means you need to finish up one and delete it before you can begin another.

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You have to use their cloud with Pro Tools First and you're limited to 3 projects at a time. The most important is that you can't save projects locally. What's more important is to explain what's limited. The music industry lives and breathes by this software. Its strengths are that you it gives you access to the most modern and powerful tools available to anyone needing audio editing of any kind.

This is an example of a powerhouse of a software releasing a free version that is feature limited. It's been around for over 30 years (even longer than Audacity!). It's toe-to-toe with Logir Pro for the most used professional-tier audio editor and music production suite. Pro Tools FirstĮveryone has heard of Pro Tools. It has countless plugins for mixing, including the expected ones like compression, noise reduction, etc. It supports all of the most common file formats during import and export, and many rare ones, can apply effects live and let you stream directly to your audience, and a lot more. If whatever you're doing requires a microphone or several, then this is perfect for you. Audacity is less about synthesizer production and more about recording and editing. It can support MIDI playback but not MIDI programming. The one thing it's lacking is support for instrument VST (VSTi) plugins. You get a multitrack so you can record several tracks at once and mix them to taste, you can apply all kinds of signal processing and effects, and edit to perfection. It's all about the power it provides, and it can essentially do it all except one thing. Visually it has an old school appeal, but so do some of the expensive ones.

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If you learn how to use this, you're ready to use any of the big boys like Pro Tools and Logic Pro. This is for the anyone that wants the experience of a (nearly) complete digital audio workstation. It's open source and has been constantly updated since it's launch in 1999. You're looking the king of truly free audio editing software.

I'll point out which platforms they're available on and their strengths and weaknesses. Let me show you the ones I used (if they're still around, I'm getting old) and introduce you to some of the new players on the block. You might be trying to produce music, narrate audiobooks, overdub Youtube videos, or clean up your podcast vocals.

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Sometimes you don't need a huge program if you only need it for a simple task, and other times you need a full suite. I still laugh about my Cool Edit Pro days and how much fun I had. I cut my teeth on these, got past the learning curve before jumping to a full-fledged digital audio workstation (here's the best DAWs if you want to compare them to the options below), and have never forgotten those days. Without these companies and their applications, so many of us wouldn't enter the industry.

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That's why I want to honor the companies that have either produced full-blown audio editing software and are giving it away for free or have created a completely usable but semi-restricted free version of their more expansive audio editors. Second, I couldn't have afforded it if I wanted to. First, I wasn't going to shell out big bucks for a professional-grade audio editor when I was simply curious about the process. Of course, I jest, but the truth is that if they weren't available to me when I first got started then I'd have never gotten started. Free audio editing software made me into the man I am today.

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